Phoebe Davies – Points of Ruptureexhibition • 09 Sep 2020 – 20 Dec 2020
Points of Rupture explores tactility, training and the recovery of athletes engaged in contact sports.
Scheduled to run to 20 December this exhibition is currently closed due to lockdown
Based on research with coaches, athletes and medics, this new body of work by Phoebe Davies explores the physicality and personal narratives of occupying communal and competitive spaces.
The exhibition takes its points of departure from Davies’ ongoing recovery from a ligament rupture whilst playing basketball parallel to her work with a group of teenage female wrestlers, training in a local club on the outskirts of Oslo. A new moving image work documents day-to-day routines at the club, alongside combative and compassionate exchanges. Accompanying the film are a multichannel soundscape and installation employing sports aesthetics, plays and structures. This expansive sound work considers the limits of stamina, rest and physical and mental exhaustion.
Phoebe Davies often finds herself referencing and exploring collaborative models of working across different social and cultural sectors, be that strategies from methods of organic farming, feminist organising or speculative fiction. For the last year, a key focus of her practice has been working within community sports settings, researching athletic methodologies, coaching and rehabilitation.
Due to the fragile nature of the floor installation, we ask that only flat shoes are worn in the gallery.
This body of work began during an international residency programme at Praksis and has been supported by The Arts Council, Jerwood Arts, PRS Foundation, OCA Norway, Dana Høegh and Gerflor.
Image: Spiral Holds #02, Phoebe Davies 2020
About Phoebe Davies
Phoebe Davies is a Welsh artist and researcher based at Somerset House Studios, London. Her practice investigates how people perceive their social framework, often working with and in response to individuals and communities, generating work through collaboration, collective action and DIT (Do It Together) strategies.
Her outcomes are often project dependent, including constructed social spaces, live performances, video, audio and print works. Through her work Davies often finds herself referencing and exploring collaborative models of working across different social and cultural sectors, drawing on methodologies from feminisms, organic farming and athleticism.
Recent projects have led her to work with sex educators, secondary school students, elderly care home residents, sports teams and DJs as well as art spaces and institutions, including Portland Institute of Contemporary Art (OR, USA), Tate Modern (London), Wellcome Collection (London), Chapter Arts Centre (Cardiff), steirischer herbst (Graz), Kunstnernes Hus (Oslo) and British Council Connect ZA (Johannesburg). In 2015 she was awarded the British Council’s Social Practice Fellowship for the International Cultural Exchange USA Program in partnership with Portland State University.
She currently co-facilitates two research groups, Synaptic Island, a London-based womxn and non-binary sound collective and Art is Action, a UK-based social practice research group.