2 October - 13 November 1999
Internationally acclaimed artist Susan Hiller’s most recent video installation, PSI Girls, consists of five floor-to-ceiling projections exploring the relationship between “magic” and “art”, using excerpts from popular cinema, collected, sampled and manipulated by Hiller over several years.
7 July - 25 September 1999
Overhang is an inventive and witty look at two apparently unrelated viewing technologies.
10 June - 31 July 1999
Traffic takes as theme the contrast between American ideas of the Road Movie and the romance of road culture and the European equivalent which is more involved with tailbacks, traffic, monotony and stasis. The works in the show highlight this dichotomy and deal with what has become an attitude, a way of life not just a side-effect of travel.
14 November 1998 - 30 January 1999
The first major exhibition in the U.K. of the international artist, Sophie Calle. The exhibition combined a major retrospective with new work.
23 October - 21 November 1998
Shunted formed part of Public Sightings, a ground-breaking programe of publicly sited art works for Photo 98, the UK Year of Photography and the Electronic Image.
26 September - 7 November 1998
The School for Lovers
Sharon Kivland’s work is canny, a play with a force of imagination as it holds us hostage between our secret desires and the banal. Through her work she creates a space of highly formulised attention, an event within which the viewer is drawn like a detective, both intellectually and through desire into pleasure of the gaze.
27 June - 8 August 1998
This exhibition was inspired by the historically important and groundbreaking exhibition of 1968, ‘Cybernetic Serendipity’ which took place at the ICA in London
During the period when the gallery was closed for lottery-funded redevelopoment, Site initiated a public art project – Site and Sound which placed artworks by 15 artists working with text and audio in venues around the city centre.